Tango Constructions
Our reality is both chaotic and structured. Two-dimensional geometry — a basic component of our world — is absolute, yet we cannot predict what may happen in. the near or far future since it is chaotic and unpredictable. This is the underlying meaning of the Tango works, the struggle between chaois and structure. |
The Tango Constructions derive from exploring multiple elements based on the original Tango format. The main painting is a ratio of 1.5 H : 9 W with two additional elements based on it, one element rotated at 27 deg, the other at 18 deg. I have been using twigs and other natural elements as a means of several years to emonstrate and define the unification of chaos and structure. |
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She Heard That 44. Whistle Blow, 2013-14, 108 in. x 28 in. app, acrylic on canvas, bamboo and wood, $8000 |
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She Heard That 44. Whistle Blow, detail showing the three-dimensional aspect. |
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| Pink River I, 2012, acrylic on board, 36 in. x 14 in. |
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| Untitled, 2012, acrylic on board, 36 in. x 14 in. |
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| House of Pale Marbles, 2015, 48 in. x 18 in. x 2 in., acrylic on canvas on MaxMetal, wood, bamboo and string |
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| Dusty Spells of Blue Metal, 2015, 48 in. x 18 in. x 2 in.;, acrylic on canvas on MaxMetal, wood and bamboo |
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| The in.fected City, 2015, 36 in. x 16 in. x 2 in., acrylic on board and canvas mounted on MaxMetal |
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| Queen of the Basements, 2014-15, 36 in. x 14 in., acrylic on board, paper and tape mounted on MaxMetal |
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| Who Shook the Rat, 2015, 54 in. x 22 in., acrylic on canas mounted on MaxMetal |
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| Clarinet Road, 2015, 48 in. x 20 in. app., acrylic on canas, wood and bamboo |
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| Juke Snake Sunlight, 2015, 48 in. x 20 in. app., acrylic on board, canas, wood and bamboo |
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| Where the Boogie Burned Through, 2015-16, 54 in. x 30 in. app., acrylic on canvas mounted on MaxMetal |  |
| South Rainbow Hoo Doo, 2015-16, 48 in. x 20 in. app., acrylic on canvas mounted on MaxMetal |  |
| Rambling Chainsaw, 2015-16, 22 in. x 48 in. app., acrylic on board, canvas and wood |